Feature: The Wheels on the Bus | Lucia Davis '04
With The Art Bus Project Lucia Davis ’04 has set out to make art more accessible to communities
Lucia Davis ’04 has lived a lot of lives. She spent a summer singing opera in Rome. She was an assoc-iate editor for iMedia Connection, which covers the digital marketing world. She’s written for Atlas Obscura and other publications, including Alumni Horae. She led content development at Obviously, a social media agency in New York City (founded by formmate Mae Karwowski ’04) that helps companies navigate the waters of Facebook, Twitter, Instagram, and other platforms.
One day, Davis decided to start a nonprofit founded in the fine arts and creative expression. When contemplating nonprofits, one might think of something brick and mortar. But that’s not the kind of nonprofit Davis envisioned and has now developed. Her idea was more ambitious. With ingenuity, vision, and creativity, Davis has created a touring art show – in a school bus. “I’d never written a grant before,” she says, “or driven a school bus. So, all of this was new.”
The steep learning curve didn’t faze her, though. Her vision was too important to let something like not knowing how to apply for grant money (or not being an artist) get in the way. Davis has been a quick study, however, as she recently earned a $5,000 grant from Josh Groban’s Find Your Light Foundation, a nonprofit champion of the arts and arts education.
The idea for The Art Bus Project (ABP), Davis says, had been rattling around in her head for a while. In a talk delivered in May at the end of a two-month Guild Hall residency in East Hampton, N.Y., for her work in the field of curatorial/critical studies, Davis admitted that she rarely answers the question about where the idea came from the same way.
“Sometimes I say art forced me out of my comfort zone,” she says. “Or I’ll talk about these journals,” she continues, referencing the images on the screen of her writing, intermingled with drawings of stars and animals, “and about how I wanted and needed a place to write.”
Bringing Art to People
Davis has been developing her own voice since graduating from St. Paul’s. She went to Scripps College, graduated with a degree in economics, and began writing for EQUITIES Magazine. She next worked for a pair of publications about the communications industry, before taking the position at the fledgling Obviously, which inspired her ABP initiative.
“I learned so much working with Mae,” she says. “She grew that company from nothing, and seeing that helped me so much with The Art Bus Project.” So why an arts nonprofit from an economics major who took only the most basic art classes in high school? “I started looking at artists because my best stories were about people doing extraordinary things that defied reason, and the art world is full of those,” Davis explains. “Despite being an economics major, I’ve always been a very creative person, and have believed in the importance of artistic expression – it gives people a way to put their perspectives into the universe.”
The bottom line is, Davis believes art can heal and is a strong advocate that art needs to go where people are – instead of people coming to it, a la visiting amuseum. As far back as 2011, she cites her own experience with art as a transformational force, recalling a Guerrilla puppet show – a form of public theatre with a social conscience – she saw on a street corner in Los Angeles. While in London in 2014, she became “obsessed” with the idea of an art collective, but didn’t have a title for it. “The Art Bus Project” was meant to be a temporary name, but it stuck as she formed a 501(c)(3) nonprofit in that name.
“I always thought the bookmobile was cool,” she says, referring to the buses that traveled through neighborhoods when she was a child, their interiors tricked out with shelves and books and offering a way for people to borrow books without having to go to the library. What if she did the same thing with art? Davis spent countless hours wondering and brainstorming. She figured a
mobile museum could be a place for artists to display their works, but also somewhere communities could come together to not only see art, but make some of their own. “Access is important,” she says. “I love museums. I love going to museums. But, sometimes, it can be intimidating for people – or a museum is far away. This brings art to where people are.”
Throughout 2015, Davis set out on a road trip through 21 states, visiting artists, learning more about the creative process, and earning an informal education on what it takes to make art happen. Among the artists she met were inmates exhibiting their work at the hobby craft sale at the Angola Prison Rodeo (Louisiana State Penitentiary) in Baton Rouge, La. The ABP began to take shape, almost creating a life of its own, as Davis talked to more and more artists and her vision became more viable as a result.
For the ABP to become a reality, Davis first needed to secure an actual bus to create her portable gallery. She began fundraising in earnest in the summer of 2016, using the crowdfunding site Classy.org to get the word out. She put her social media experience at Obviously to work, launching a clever campaign that used Facebook and other sites to promote the crowdfunding effort. The goal was to raise money for purchase of a retired yellow school bus. Together with her executive director and “right-hand woman” Hannah Fox, Davis was determined to raise $19,000 to purchase a bus and $11,000 more to renovate it into equally functional exhibition hall and classroom spaces. There were touch screens and listening booths to install, a compulsory vehicle tune-up, and a generator required to power it all. To advise her in the endeavor, Davis created an all-woman board, a deliberate choice, she said, in a world still dominated by men. The successful campaign featured back-to-school challenges and giveaways as incentives to join the effort. In the end, Davis and Fox raised just under $18,000 in Phase I, before they purchased a yellow school bus from the place where all yellow school buses go after retirement – eBay.
The bus is currently undergoing its artsy makeover. Once it is housed in the repurposed school bus, The Art Bus Project will be a traveling showcase, featuring eight American artists who span disciplines, ages, locations, genders, and races. Mark Cline makes foam and fiberglass figures; his most famous is Foamhenge, a full-size replica of Stonehenge, crafted in Styrofoam. In a
30-year career spanning sculpture, painting, and drawing, Danilo Gonzalez, a Miami resident originally from the Dominican Republic, has works on display in Musée National de Colombie in France and the Dominican Republic’s Museum of Modern Art, among others. New York-based KHEM works in painting, photography, animation, and scriptwriting, creating immersive multi-
media experiences. Romy Aura Maloon of Atlanta has South African roots, a first-generation American story, and expresses those dual identities in her work. Maroon’s site-specific installations snake up the walls of buildings. Philadelphian Tim McFarlane’s colorful, multi-layered paintings have been displayed in exhibits in New York, Miami, and Dallas, among other locations. David Rothenberg is a jazz clarinetist and composer, with nine CDs to his credit, along with a book called Why Birds Sing, an exploration of making music with birds, which later became a BBC documentary. Jason Arthur Sapan works with holographs and laser light to create portraits and abstract forms, while Anna Wittenberg’s installations and performances explore how play has cultural and biological significance.
In an ambitious tour slated for the spring of 2018, the bus will travel to the hometowns of each of the eight artists, from New York’s Hudson Valley to Miami, Fla. Each stop will incorporate the opportunity for the public to come on board the bus to view the art, be part of events that feature the artists themselves, create their own art, and otherwise be inspired.
Davis is pleased with the collective of artists she has assembled, satisfied that the group showcases both a diversity of America itself and a wide variety of artistic styles. By making it more accessible, she wants people to understand the ever-evolving definition of art; that it doesn’t need to be viewed as simply paintings on the wall. Art, in Davis’s mind, is about projects you can touch, interact with, and embrace as a form of expression – whether as artist or art enthusiast. “I feel that now, more than ever, there are people in this country who don’t have a voice,” she says. “Art gives people a voice.”
To learn more about Lucia Davis '04 and The Art Bus Project, visit www.theartbusproject.com.